Showing posts with label johnny cash. Show all posts
Showing posts with label johnny cash. Show all posts

Saturday, November 3, 2018

Arthur Frederick (Art) McDonald


In celebration of...

Arthur Frederick (Art) McDonald
December 27, 1928 - October 30, 2018























It was 1948 when Art McDonald left his home town of Glace Bay, Nova Scotia on a train, to find a better life than the life of a coal miner. He arrived in what was called New Toronto at the time, and what we know of today as Etobicoke, Ontario. After a few short-term jobs at Production Castings and Mono Cup (a division of Continental Can), Arthur landed a permanent job at the John Inglis and Company, a major appliance manufacturing plant that was once located on Strachan Ave in the city of Toronto’s west end. Art worked at John Inglis for 38 years. John Inglis afforded Art a 4-bedroom home in Clarkson, Ontario where he raised his 6 kids (3 boys and 3 girls) with his wife, Elizabeth (Bessie). Port Credit, Ontario became his home in the end.

My father liked to dance.
It was something he learned to do as a young man
in the clubs back in Glace Bay.
When I was a small child,
I would dance with my father by standing on his feet
while he led me around the living room
to music blasting from the old hi-fi console.
He called me Duper.
My father also liked to sing.
He started singing at the age of 14 

in the church choir down home.
He could always be heard whistlin’ a tune
or singing his favourite songs, a cappella.
He sang around the house.
He sang in the car.
He sang in the garden.
My dad liked working in his vegetable garden,
and feeding the birds.
He also liked the Rat Pack.
And singing songs popularized by Dinah Shore, like:
“Shoo Fly Pie and Apple Pan Dowdy,
makes your eyes light up, and your tummy say ‘Howdy.’
Shoo Fly Pie and Apple Pan Dowdy,
I never get enough of that wonderful, wonderful stuff!”
My dad liked blueberry yogurt.
And the salmon sandwiches my sister Teresa would make him.
He enjoyed music.
Popular music and traditional country music.
For a song to have a funeral by,
my father chose a favourite by Hank Snow:
”That big 8-wheeler rollin' down the track 

means your true lovin' Daddy ain't comin' back, ‘
cause I'm movin' on. 
I'll soon be gone.
You were flyin’ too high for my little old sky, 

so I'm movin' on.”
My dad liked the Toronto Blue Jays, reading the newspaper,
and when my brother Donnie would give him a shave.
He also liked playing harmonica.
Memories of him sitting at the kitchen table,
stompin’ his feet and blowin’ hard into 

an old Hohner mouth organ,
and drinking.
My dad really liked to drink.
Beer.
He also liked to smoke.
My dad liked it when I took him to see
Stompin’ Tom Connors at Massey Hall.
And when I took him to see Johnny Cash and June Carter
at the Ontario Place Forum.
He laughed when June’s shoe came flying off her foot
while she was dancing,
watching it sail straight out into the audience.
My dad liked when my sister Linda reunited him 

with our mother.
And when my brother Dennis would take him 

out of the nursing home to go shopping.
My dad liked his dog Dozer.
There are plenty of things to remember about my father.
And friends and others in my family will remember him 

in different ways.
But I think I’ll remember him best, 

singing.
For I heard him singing my whole life.
Songs like Lynn Anderson’s
“I beg your pardon. I never promised you a rose garden.”
Once when I put headphones on him at the nursing home, 

his face lit up
and he started singing along with Hank Williams 

at the top of his lungs:
“Hey, hey good lookin', whatcha got cookin'?
How's about cookin' somethin' up with me?”
Back in the year 2000,
my father watched Daniel, his youngest son,
die from cancer at the age of 38.
On his own death bed in 2018,
I heard my dad talk about my brother Daniel 

to the fella in the next bed.
And then my dad started to sing.
With an old, gravelly, two-months-shy-of-90 voice,
my dad sang over and over again this waltz by Wilf Carter:
"Put me in your pocket, so I'll be close to you.
No more will I be lonesome and no more will I be blue.
And when we have to part dear, there'll be no sad adieus.
For I'll be in your pocket, and I'll go along with you." 


Arthur is survived by his children Arthur Dennis McDonald, Linda McCutcheon, Donnie McDonald, Teresa March, Lisa McDonald, and his sister Teresa Owen. Arthur also leaves behind many grandchildren and great-grandchildren.


Sunday, February 28, 2016

The Winding Stream




















The Winding Stream
(2014 American documentary film –
aka The Carters, The Cashes and The Course of Country Music,
directed by Beth Harrington)
Bloor Hot Docs cinema, Toronto
February 28, 2016
by Live Music Head


At the Bloor Hot Docs cinema 
for this morning’s Doc Soup Sunday screening of
The Winding Stream,
it was the face of John Prine that was first to be seen
on the big screen.
And oh, how-so pleasing!
On the way to the cinema,
Johnny Cash of course played heavily on my mind.
Two days ago he would have celebrated, 
if he was not dead,
his 84th birthday.
Big River! 
"Now I taught that weeping willow how to cry, cry cry.
And I showed the clouds how to cover up a clear, blue sky.
And the tears that I cried for that woman
are gonna flood you Big River,
then I'm gonna sit right here until I die."
But what was so great about this doc was that
it began way before Johnny met June Carter.
Back when people didn’t even know to call their music “country”.
This doc went way back to the nineteen twenties,
to the days of A.P. Carter
who founded The Carter Family,
one of the most notable acts in country music.
A doc about real, authentic country music
that documented the Carters and the Cash’s story
straight up to the present day.
From poor people living hard in
the Appalachian foothills of Maces Springs, Virginia
to their success as Victor recording artists,
to their old timey border radio show on XERA.
Keep On The Sunny Side of The Street!
One moment in the film that stood out for me
as one of the most heartbreaking,
but at the same time most romantic,
was when wife Sara decided to leave A.P. for his cousin Coy Bayes.
Upon hearing Sara dedicate a song to him on the radio,
cousin Coy drove from California to Texas to fetch her,
and they were married a week later.
And apparently A.P. never got over it.
Will The Circle Be Unbroken?
Johnny was seen throughout the film before,
and at the height of his career,
and live on stage with the Carters.
He was also interviewed in this film as an old man,
when the true blue heart and soul of the man in black
was never more obvious.
Cash not only talked about how he fell in love 
instantly upon meeting June backstage at the Grand Ol’ Opry,
but about the respect, admiration and high regard he,
along with so many other musicians,
placed upon mother Maybelle.
Maybelle married A.P.’s brother Ezra Carter,
and became parents of June.
I particularly liked the clip of Carlene Carter
(daughter of June and her first husband Carl)
sitting on a bale of hay singing,
alongside none other than the great, great, great
Hank Williams!
I Can’t Help It If I’m Still In Love With You!
Today, Maces Springs is called Hiltons,
and Route 614 is called the A.P. Carter Highway.
And Carter Fold,
the music hall on the Clinch Mountain side of the road
which was founded by Joe and Jeanette,
two of A.P. and Sara's children,
is still open.
It's where the story lives on,
featuring live, traditional country music every Saturday night.
Real, genuine country music!
Beth Harrington, the film’s director 
was in attendance today for the Q&A,
as was Skippy Drake who performed live in the cinema lobby,
alongside his pal Rene on auto-harp,
to serenade folks arriving, and lining up for concessions.
Wildwood Flower!

The trailer for Winding Stream...


The official website for The Winding Stream...

The official website for The Bloor Hot Docs cinema...

Sunday, January 13, 2013

Johnny Cash At Folsom Prison


Johnny Cash At Folsom Prison
Recorded live on January 13, 1968
Released on Columbia Records
by Live Music Head  















The first thing I think of is Jackson,
the song about love;
a love hotter than a pepper sprout!
I looooooove hearing June Carter givin’ 
the ol’ whatfor to Johnny
in that sassy, gutsy growl of hers.
Yee-fucking-haw!
Reminds me of when I saw the two of ‘em perform live
on the revolving stage of Toronto’s Ontario Place Forum
back in the nineties.
June kicked off her shoes,
one of which sailed directly into the audience, ha!
Or was it both?
But on a serious note,
what comes to mind when I think of this great record is
the story behind the song Greystone Chapel.
One of Folsom’s inmates at the time,
Glen Sherley,
who was serving time for armed robbery,
also wrote country and western songs.
And Sherley wrote the one,
the last track on this album,
named after the chapel he would sometimes visit
on the Folsom Prison property.
And the recording he made of it
found its way into the hands of Johnny Cash,
by way of the Folsom Prison minister.
Johnny took an immediate liking to the song
and rehearsed it with his band.
If you haven’t already seen 
the 2008 Bestor Cram documentary
also called At Folsom Prison,
I highly recommend it.
Highly!
For not only does it talk about Sherley
who was sitting in the front row at the prison concert
when Johnny surprised him by playing the song
and calling attention to him as the songwriter,
but the doc goes into great detail about 
the relationship that developed
between Sherley and Cash,
after Johnny actively helped get Glen released from jail.
The doc actually shows Johnny at the prison gate
when Glen walked out a free man.
Now I’m a huge fan of Johnny Cash,
and the fact he cared enough about humanity 
to play music for convicts
inside a maximum security prison,
not to mention help one of ‘em get released
and on the road to a better life,
endears him to me all the more.
Sherley's life as a free man unfortunately 
did not bring enough happiness,
but he did try,
and he showed only the deepest of gratitude to Cash.
According to Wikipedia,
Johnny Cash At Folsom Prison was certified
a triple platinum album by 
the Recording Industry Association of America.
It’s also an album ranked number 88 
on Rolling Stone Magazine's list
of 500 Greatest Albums Of All Time.
And it was added by the Library of Congress
to the National Recording Registry in 2003.
In fact, Johnny Cash At Folsom Prison
has been acknowledged by numerous sources
as one of the greatest recordings of all time. 


Johnny and June Carter Cash sing Jackson....



The official Johnny Cash website...
http://www.johnnycash.com/